For his new mashup series entitled "Re-Made in
China," Oli Sorenson re-enacts Lucio Fontana’s incisions onto copies of some of the world’s most expensive
masterpieces. The artist bypasses Walter Benjamin’s trope on mechanical reproduction by commissioning
hand-made duplicates from artisans in China. The ensuing oil paintings serve as receptacles for Sorenson
and his instrument, the scalpel. Slashing strokes instead of brush strokes rule this gesture to cut the
Gordian knot of planar aesthetics and disrupt the integrity of Western canonical images.
The world premiere of the performance "Re-Made
in China" is delivered this coming June 23 onto a selection of works already embedded in twentieth century
art history. To this end, the slits traversing such copies are not intended to disfigure authentic
masterpieces as much as to point out the power relations entailed between unique originals and their
ubiquitous reproductions. Especially since the emergence of digital devices, institutionalized works of
art from diverse times and places appear continually updated by their omnipresence online. Sorenson
responds to this condition by reinstating some of these works in the field of contemporary art by smearing
the threshold between modes of production, reproduction and destruction.
The artist here pursues an approach initiated
with his "Video Pistoletto" series to transfer the gestures of established artist upon new materials.
Following his residency at La Bande Vidéo, Sorenson showed "Video Pistoletto" simultaneously at Nuit
Blanche Québec and the Pan-Canadian Media Arts Summit. This work is now on display in the front window
of Manif d'art de Québec until July 31 [manifdart.org/ labandevideo.com].
Born in Los Angeles, Oli Sorenson lived
and worked in London between 1999 and 2010. His work has been exhibited in multiple contexts: Galerie
Trois Points and Agence TOPO (Montréal), Nuit Blanche Montréal, Angell Gallery (Toronto), FILE (Sao Paulo),
Dokfest (Kassel), World Art Museum (Beijing), Glitch Gallery (Boston), ZKM (Karlsruhe), ISEA (Helsinki
and Nagoya). He is based in Montréal, Canada since 2010.
Media contact: Emmanuel Galland
514.452.7302 // emmanuelgalland@hotmail.com
Images & CV available upon request
©Sorenson 2016 some rights reserved